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'round Midnight (kenny Burrell Album)

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Last Updated: 23 July 2021

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'round Midnight (kenny Burrell Album)

Studio album by Kenny Burrell
Released1972
Recorded1972 Fantasy Studios , Berkeley, California
GenreJazz
LabelFantasy F-9417
ProducerHarry Abraham and Kenny Burrell

If you want the excellent album to show the world that jazz and blues are far more than kissing cousins, this is it.

The Burrell/Coltrane album was held in vault for half a years before it was launched and at that factor both Burrell and Coltrane had come to be masters of their crafts, both artists strongly concentrated on their own highly different trips. Burrell was never ever excessively fancy or loud on record and by Midnight Blue he had grasped the Kenny Burrell audio.

Besides jazz basic Gee, Baby Ain't I Good to You, every one of the tracks on Midnight Blue are in-the-pocket blues numbers assisted by Burrell's 6 strings.

While Coltrane was preparing to record Love Supreme in a single recording session in 1964, Phil Spector was investing two days attempting to record vocals on Righteous Brothers' You've Lost that Lovin' Feeling, limitless workshop hours in pursuit of sonic omnipotence. If Gillespie was interested in Burrell's services after that there would be a lot more chances for guitarist by time he finished, his mother presumed that.

Coltrane and Burrell worked with each other many times via the 1950s, including a co-leader quintet date in 1958 that included three Detroiters and 3 participants of Miles Davis' operating band. When BB King stated, Jazz is the big sibling of blues. The Reid Miles album cover is perfection, summarizing the state of mind of this album with just excellent typography. I intended to get a team together for this session so that can really feel blues just the way I do.

Abnormally, Burrell made his opening night for Blue Note as leader on appropriately titled Introducing Kenny Burrell in 1956-unusually, since the majority of artists played the duty of sideman prior to getting opportunity to lead their own session. Released in very early May 1963, Midnight Blue was distinguished on Billboard Jazz chart on May 11 under new activity LPs listing, It stopped working to problem mainstream graph, as Kenny did a couple of months later on with Jimmy Smith on the album Blue Bash for Verve.

* Please keep in mind that all text is machine-generated, we do not bear any responsibility, and you should always get advice from professionals before taking any actions.

* Please keep in mind that all text is machine-generated, we do not bear any responsibility, and you should always get advice from professionals before taking any actions

'round Midnight (kenny Burrell Album) (latest news)

The facility, as much as videotaping sessions go, was easy: guitarist Kenny Burrell would lead a quintet at Van Gelder Studio in Englewood Cliffs, New Jersey. Single-day recording sessions in New Jersey were the standard for jazz labels like Blue Note Records and Prestige with the 1950s and 1960s.

Coltrane and Burrell collaborated various times with the 1950s, consisting of a co-leader quintet date in 1958 that included 3 Detroiters and 3 members of Miles Davis' working band. The Burrell/Coltrane album was kept in vault for half a decade prior to it was launched and at that point both Burrell and Coltrane had ended up being masters of their crafts, both artists strongly focused on their own richly divergent trips. Burrell was never ever excessively showy or loud on record and by Midnight Blue he had mastered the Kenny Burrell noise.

While Coltrane was preparing to record Love Supreme in a single recording session in 1964, Phil Spector was spending 2 days trying to record vocals on Righteous Brothers' You've Lost that Lovin' Feeling, limitless studio hrs in quest of sonic omnipotence. This is it if you desire the excellent album to reveal the world that jazz and blues are much more than kissing relatives. When BB King stated, Jazz is the big sibling of blues. The Reid Miles album cover is perfection, summarizing the mood of this album with simply excellent typography. I wished to get a group together for this session so that can feel blues just the way I do.

Unusually, Burrell made his opening night for Blue Note as leader on suitably titled Introducing Kenny Burrell in 1956-unusually, due to the fact that most musicians played the role of sideman prior to getting opportunity to lead their own session. Launched in early May 1963, Midnight Blue was singled out on Billboard Jazz graph on May 11 under new action LPs providing, It stopped working to trouble mainstream chart, as Kenny did a couple of months later on with Jimmy Smith on the album Blue Bash for Verve.

* Please keep in mind that all text is machine-generated, we do not bear any responsibility, and you should always get advice from professionals before taking any actions.

* Please keep in mind that all text is machine-generated, we do not bear any responsibility, and you should always get advice from professionals before taking any actions

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