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Asymmetry

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Last Updated: 16 September 2020

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asymmetry | dr_zoidberg | Flickr "asymmetry | dr_zoidberg | Flickr", by Flickr, licensed under CC BY-SA 2.0

Time and NEW YORK TIMES TOP 10 BOOK OF YEAR * NEW YORK TIMES Notable BOOK and TIMES Critics TOP BOOK OF 2018 name ONE OF BEST BOOKS OF 2018 by * Elle * Bustle * Kirkus Review * Lit Hub * NPR * O, Oprah Magazine * Shelf Awareness bestselling and critically acclaim debut novel by Lisa Halliday, hail as extraordinary by NEW YORK TIMES, brilliant and complex examination OF power dynamics in love and War by Wall Street Journal, and literary phenomenon by NEW Yorker. Tell in three distinct and uniquely compelling sections, ASYMMETRY explores imbalances that spark and sustain many of our most dramatic human relations: inequities in age, power, talent, wealth, fame, geography, and justice. The first section, Folly, tells the story of Alice, young American editor, and her relationship with the famous and much older writer, Ezra Blazer. A tender and exquisite account of an unexpected romance that took place in NEW YORK during the early years of the Iraq War, Folly also suggests aspiring novelists coming - OF - age. By contrast, Madness is narrated by Amar, Iraqi - American man who, on his way to visit his brother in Kurdistan, is detained by immigration officers and spends last weekend OF 2008 in a holding room in Heathrow. These two seemingly disparate stories gain resonance as their perspectives interact and overlap, with yet new implications for their relationship revealed in an unexpected coda. A stunning debut from a rising literary star, ASYMMETRY is a transgressive Roman clef, novel OF ideas, and politically engaged work OF metafiction, and a masterpiece in the original sense OF word. Lisa Hallidays novel will captivate any reader while also posing arresting questions about the very nature of fiction itself. Winner OF 2017 WHITING AWARD / NATIONAL BESTSELLER Praise for ASYMMETRY ASYMMETRY is extraordinary, and the timing OF its publication seems almost like a feat OF civics. Hallidays prose is so strange and startingly smart that its mere existence seems like commentary on the state of fiction. It first novel that reads like the work of an author who has published many BOOKS over many years. Halliday has write, somehow all at once, transgressive Roman Clef, novel OF ideas and a politically engaged work OF metafiction. Alice Gregory, NEW YORK TIMES BOOK Review masterly. As you uncover points of congruence, so too do you uncover Hallidays Beautiful argument about pleasure and obligations of fiction. It feels as if the issues she has raised both explicitly and with BOOKS's canny structure have sown seeds that fiction will harvest for years to come. New Vanguard, NEW YORK TIMES BOOK Review exquisite. For the US, riding is surrendering to falling down rabbit holes to unknown places. When ASYMMETRY reaches its perfect ending, it is all the reader can do to return to the beginning in awe, to discover how Halliday upturned the story again and again.

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19 March 2019『REOL れをる』-「Asymmetry」

* Please keep in mind that all text is machine-generated, we do not bear any responsibility, and you should always get advice from professionals before taking any actions

Types of Symmetry

Symmetry and balance are relate. But theyre not quite the same thing. Take a look at their definitions: symmetry is the visual quality of repeating parts of an image across axis, along path or around the center. Asymmetry, on other hand, refers to anything that isnt symmetrical. Balance is the visual principle of making design appear equally weight throughout composition. Balance measures the visual weight of your composition, which impacts how much each element attracts your audience's attention. Symmetrical balance occurs when your composition has the same visual weight on each side of the axis. Imagine perfect mirror images looking at each other around the central axis. This type of balance evokes gracefulness and simplicity. Its pleasing to look at, but also very predictable. Composition with unequal weight on both sides has asymmetrical balance. More visually interesting than its symmetrical counterpart, this visual technique has large focal points on one side with several, less significant focal points on the other. When visual elements radiate out of common center point, this is called radial balance. Imagine rays of sunlight emanating from the sun. Think of mosaic balance as organized chaos that might look like noise, but actually creates balance thanks to the absence of distinct focal point. Each element shares common emphasis, and no single element dominates the composition.


Examples of balance in graphic design

Home page of vlog. It exhibits radial balance, which I hope is clear from the screenshot. Other than the shape in the top - right corner, everything revolves around the center of the page, as three rings of images rotate around the center circle. What you ca see in the screenshot is how the page loads. A line is drawn from the lower - left corner to the center of the page. From that point on, just about everything that appears on the page does so by revolving around the center or radiating from it, like ripples in a pond. The smaller circle on the upper right adds little translation symmetry and some asymmetry, increasing visual interest in composition. Operas Shiny Demos home page isnt circular, but text links all seem to emanate from common or near common center. It is easy to imagine the whole shape spinning around one of the squares in the middle or maybe one of the corners where four squares meet. Shiny Demos heading in upper left and opera logo in lower right counterbalance each other and also appear to radiate from the same center as text links. It is a good example of how radial balance doesnt necessarily require use of circles.


Symmetry And Asymmetry

Asymmetrical forms lack balance of symmetrical forms, although you can asymmetrically balance the entire composition. Asymmetry is rather common in natural forms: youre probably right - or leave - hand; fiddler crabs have different sized claws; tree branches grow in different directions; clouds have random shapes. Asymmetry creates more complex relationships between elements, and so it tends to be more interesting than symmetry. Because it is more interesting, asymmetry can be used to draw attention. Space around asymmetrical forms is more active. Unpredictable patterns are create, and overall you have more freedom of expression with asymmetry than with symmetry. The tradeoff is that it is harder to achieve. Much in the same way that similarity and contrast work together, you can combine symmetry and asymmetry to good effect. Balance symmetrical forms in an asymmetrical way, or balance asymmetrical forms symmetrically. Break up symmetrical forms with random marks to add interest. Contrast symmetry and asymmetry in your composition to make elements get more attention.

* Please keep in mind that all text is machine-generated, we do not bear any responsibility, and you should always get advice from professionals before taking any actions.

* Please keep in mind that all text is machine-generated, we do not bear any responsibility, and you should always get advice from professionals before taking any actions

Symmetry and Balance

As we can see, asymmetrically and symmetrically balanced designs can be used in very distinct ways. If youre in need of a more formal, harmonious, aesthetically - pleasing structure, using a symmetrically - balanced design would be a good course of action. However, do not forget that sometimes the calm and serenity of this type of design may not be as remarkable as you may need it to be. As beautiful as it may be, it may at times come up as too passive and formulaic. If youre trying to create an impactful, dynamic composition, asymmetrically balanced design is the right choice, as long as you mind your way of organizing and creating your composition. Scattering visual objects randomly may do the exact opposite of what you require, so tread carefully. Please, consider carefully both of these approaches to creating your design, measure their pros and cons, and choose wisely! Hopefully, this article will give you some insight into two frequently used instances in the world of artists - asymmetry and symmetry.

* Please keep in mind that all text is machine-generated, we do not bear any responsibility, and you should always get advice from professionals before taking any actions.

* Please keep in mind that all text is machine-generated, we do not bear any responsibility, and you should always get advice from professionals before taking any actions

The Take Away

In most cases, asymmetrical face doesnt need any treatment or medical intervention. In many cases, asymmetrical faces are considered to have unique charm and attraction. If youre concerned about asymmetrical features on your face, there are some cosmetic surgery procedures you may consider. Inserting soft filler into your face by way of injection may correct the appearance of facial asymmetry. Use of Botox or filler ingredients is a popular way to raise eyebrows that do appear even, or forehead that wrinkles on only one side. Fillers work well for asymmetry that results from tissue imbalance or muscle weakness. Fillers last forever, and eventually their effects will fade. If your face is asymmetrical because of your skeletal structure, you may consider implants. This treatment is popular for chin or cheek imbalances. Facial implants are meant to be permanent, and are made of: silicone metals, plastic gels proteins. If your facial asymmetry is the result of a broken nose that was set incorrectly, or if you do like the shape of your nose, corrective rhinoplasty can make your nose appear symmetrical. The results of rhinoplasty are permanent, but over time, your nose may begin to regain some of its previous shape.

* Please keep in mind that all text is machine-generated, we do not bear any responsibility, and you should always get advice from professionals before taking any actions.

* Please keep in mind that all text is machine-generated, we do not bear any responsibility, and you should always get advice from professionals before taking any actions

1 Introduction

According to the fifth edition of the Breast Imaging Reporting and Data System atlas, there are four types of asymmetries. Global asymmetry is asymmetric breast tissue, as judged relative to contralateral breast, occupying greater than one quadrant of breast. It occurs on approximately 3% of screening mammograms and should be considered normal variant, unless associated with mass, microcalcifications, or architectural distortion, which increase suspicion of malignancy. Asymmetry is seen on only one of two standard mammographic views, either craniocaudal or mediolateral oblique, lack convex borders, may or may not contain interspersed fat, and occupy less than one quadrant of the breast. It is found on 3. 3% of all screening mammograms. Because 82. 7% of asymmetries are due to benign superimposition of breast tissue, also know as summation artifact, overall likelihood of malignancy is 1. 8% in screening - detect cases. Persistent asymmetries have been reported to be malignant in 10. 3% of screening - detect cases. Focal asymmetry has similar appearance on both CC and MLO views, lacks convex borders, and may or may not contain interspersed fat. It is see on 0. 87% of screening mammograms and has an overall likelihood of malignancy of 0. 67%. Developing asymmetry is focal asymmetry that was not present on prior mammogram or has increased in size or conspicuity. It is very uncommon, to see on 0. 16% of screening and 0. 11% of diagnostic mammograms. Developing asymmetry has a moderate likelihood of malignancy, see on 12. 8% of screening and 26. 7% of diagnostic mammograms. In a study from our institution, overall malignancy rate of developing asymmetries in screening and diagnostic populations was 15. 4%. In a review of 300 nonpalpable breast cancers, Sickles found that 6% of malignancies manifest as developing asymmetries. Associate findings, such as architectural distortion, calcification, or palpability at physical examination, elevate the likelihood of malignancy. Developing asymmetries, on their own, should raise suspicion of malignancy and require evaluation with additional diagnostic imaging. Detection and diagnostic evaluation of developing asymmetries is particularly challenging, as many appear similar to fibroglandular tissue in mammography. This article describes diagnostic imaging tools useful in evaluation of developing asymmetries and reviews some of benign and malignant causes of developing asymmetries.

* Please keep in mind that all text is machine-generated, we do not bear any responsibility, and you should always get advice from professionals before taking any actions.

* Please keep in mind that all text is machine-generated, we do not bear any responsibility, and you should always get advice from professionals before taking any actions

Peak Asymmetry for RP-HPLC Columns

Popular Part Numbers

Part NumberParticle Size (m)Pore Size (A)Length (mm)I.D. (mm)
00G-4252-E05 m100 A2504.6
00F-4252-E05 m100 A1504.6
00F-4251-E03 m100 A1504.6
00F-4251-E03 m100 A1004.6

Column efficiency, indicating the number of theoretical plates per column, is calculated as N = 5. 54 2 where t R is retention time of analyte of interest and w 0. 5 width of peak at half height. This half - height method enables determination of the number of theoretical plates per column even if the peak is not fully separate from the neighbouring peak, as long as the valley between peaks is lower than half - height of the peak. Half - height measurements are commonly is method of choice for automatic determination by data systems. Larger number of theoretical plates per column, sharper peak! Should you need to calculate the number of theoretical plates per meter, you must use the following equation: number of theoretical Plates per column x 100 / length of HPLC column = number of theoretical Plates per m peak Asymmetry Factor, often present As s is calculated with the following equation s = B / where B is distance from peak midpoint to trailing edge of peak measure at 10% of peak height and is distance from leading edge of peak to peak midpoint measure at 10% of peak height. If As > 1: Tailing, et si As < 1: fronting Resolution is a measure of separation quality. In order to determine resolution between 2 peaks, we need to measure retention times of 2 peaks of interest and width of 2 peaks at baseline between tangents drawn to sides of peaks. It is normally calculated As: R s s = / 0. 5 * since nearly every peak shows some degree of Tailing, so to allow for small amount of Tailing and still retain bit of flat baseline between peaks, R s 2. 0 generally is desire for proper resolution between 2 peaks of interest. This equation is extremely convenient and gives good results for peak resolution calculations, but it is only useful when peaks are resolved at baseline level. However, we are often confronted with situation where peaks are marginally separate. Peaks overlap at bottom, and measurement of peak width at baseline is virtually impossible. In these cases, just like we measure efficiency at mid peak height, same approach can be used for calculation of resolution with the following equation: R s = / 1. 7 * 0. 5 where w 0. 5 1 and w 0. 5 2 are peak widths measured at half peak height. Note that Factor 1. 7 is added to the denominator to adjust for difference in width at half - height. The half - height technique is the way many data systems measure resolution, because it is simpler to measure than baseline width. The number of theoretical plates per column / symmetry Factor / Tailing Factor / Resolution can and will change depending on type of analysis and analytical conditions used.

* Please keep in mind that all text is machine-generated, we do not bear any responsibility, and you should always get advice from professionals before taking any actions.

Table

Part NumberParticle Size (m)Pore Size (A)Length (mm)I.D. (mm)
00G-4252-E05 m100 A2504.6
00F-4252-E05 m100 A1504.6
00F-4251-E03 m100 A1504.6
00F-4251-E03 m100 A1004.6
* Please keep in mind that all text is machine-generated, we do not bear any responsibility, and you should always get advice from professionals before taking any actions

9.1.4 Asymmetry of g

Epidemiological studies assessing facial asymmetries in orthodontic patients clinically find prevalence ranging from 12% to 37% in the United States, 21 - 23 23% in Belgium 24 and 21% in Hong Kong. 25 Whenever prevalence was assessed by radiographic examination, it present values higher than 50%. 6 11 in Brazil, Boeck et al 26 assessed the prevalence of skeletal deformities in a sample comprising 171 patients in need of orthodontic - surgical treatment. Their findings reveal the prevalence of 32% of asymmetries among individuals assess. Gribel et al 27 assessed mandibular asymmetries by means of cone - beam compute tomography of 250 Class I subjects and found prevalence of 44% of mild - to - severe asymmetries. Severt and Proffit 22 conducted research with 1460 patients at the University of North Carolina and reported that 34% of individuals were found with a prevalence of facial asymmetry, with deviation of chin being the most remarkable feature of asymmetry. Deviation of chin was present in 74% of asymmetrical patients, with the frequency of lateral guidance of upper and midface equal to 5% and 36%, respectively. Therefore, deviation of the lower face is more frequent and greater in length than that of the upper and midface. 28 29 possible explanation would be longer mandibular growth periods, in addition to maxilla being rigidly attached to stable region of synchondroses at the cranial base. 11 Most studies on asymmetry claim that lateral guidance is most predominant on the left side of the face, 7 27 30 with equal distribution among males and females. 6 31 32 this occurrence could be explained by dominant growth potential on the right side of the face, particularly considering larger dimensions of the skull and brain of individuals on the right side. Another potential innate mechanism causative of lateral guidance of face might be related to imbalanced development of neural crest cells. It has been speculated that neural crest cell migration happens earlier on the right side and tends to be delayed on the left side. 11 33 as regards skeletal growth pattern, some authors claim that facial asymmetry is equally prevalent among skeletal Class I, II and II patients; 7 whereas other authors have shown that asymmetry is most frequently associated with Class III, 34 or less frequently associated with Class II. 22 in vertical plane, facial asymmetry is apparently most prevalent among patients with vertical growth pattern.

* Please keep in mind that all text is machine-generated, we do not bear any responsibility, and you should always get advice from professionals before taking any actions.

* Please keep in mind that all text is machine-generated, we do not bear any responsibility, and you should always get advice from professionals before taking any actions

Sources

* Please keep in mind that all text is machine-generated, we do not bear any responsibility, and you should always get advice from professionals before taking any actions.

* Please keep in mind that all text is machine-generated, we do not bear any responsibility, and you should always get advice from professionals before taking any actions

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